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Exhibitor Sessions

Wednesday, March 19

Wireless Dimming and DMX in Practice 4:00 pm - 5:30 pm

This panel begins as a lecture, migrating to a question and answer session addressing principles of digital radio-frequency technology; principles of primary and rechargeable battery technology; review of lamps, LEDs, motors, and other loads suitable for low-voltage systems; and safety considerations in high-current low-voltage systems, and in untethered motion-control systems. Focus is on underlying principles and practices common to wireless dimming in general.

Don’t Build It – Project It 6:00 pm - 7:20 pm

The popularity of low-cost projection equipment and slides has allowed theatre people at every budget level to integrate projections into scenic and lighting designs. Some of the more creative projections will be demonstrated as well as ideas on generating more satisfying results on the stage.

Thursday, March 20

Automated Rigging in Schools & Universities 12:15 pm - 1:35 pm

This panel will focus on the trend of installing automated rigging systems in high schools, colleges, and universities. End users, consultants, and manufacturers will discuss how is this affecting productions and operations, how you select a system, and the process of going “automated.”

Transformational Makeup From Ancient Origins to Modern Theatre 2:30 pm - 3:50 pm

From the beginning of human culture, make-up and masks have been used to transform and create new identities. Author Christopher Agostino presents the story of this fundamental art in a fascinating lecture illustrated by painted faces from around the world – from the tribal arts of the Amazon and Africa to the sophisticated faces of the Chinese opera.

Tuning Your Palette – Lighting, That Is 4:45 pm - 6:05 pm

A panel discussion with demonstrations on approaches to selecting color and how to fine tune choices to the various elements specific to the show from the point of view of the artist not the technician. With a former university instructor of lighting design, a former Disney lighting designer, and two award-winning young designers on the panel to discuss their experiences, session attendees will find their comments on color and related lighting design topics interesting, enlightening, and relevant.

How FCC Changes Will Affect Your Wireless Microphone 4:45 pm - 6:05 pm

Learn about the state of the wireless industry, focusing on FCC policy regarding the use of radio frequency (RF) spectrum, the “white spaces” proposal for future spectrum allocation, DTV transition and auctioning off of the wireless spectrum.

Friday, March 21

Wireless DMX installation and Best Practices 12:15 pm - 1:35 pm

With the increasing use of wireless devices in theatre, it has become more important to know just how much power you need, how to get your signal where you want it, and what you might be interfering with. This session will explore the tools and best practices for the installation and configuration of wireless DMX systems

Legalities of Safety: Why your flame-proofed set can’t come into this theatre 12:15 pm - 1:35 pm

The goal of this session is to enable participants to have a greater understanding of various fire codes, test standards and requirements in different parts of the country. Panelists will discuss the relationship between the fire marshal, the venue, and the production team. Learn how to provide the proper information to the fire department to put on your show without last-minute mishaps. Participants’ specific situations are key to this review and discussion.

Saturday, March 22

Stump the Rigger 10:00 am - 11:20 am

A perennial USITT favorite session. A panel of Industry experts invite you to take pot shots at them. Bring your best (and worst) questions and try to stump these guys. Who knows. You could win a prize. There will be an unveiling of a new trophy at the start of this year's session.

Good To Go: Built for the Road! 2:30 pm - 3:50 pm

A panel discussion dealing with design issues, scenic construction methods, and hardware for touring. A case study with visuals will be The Color Purple, designed by noted scenic designer, John Lee Beatty, (2006 Tony Award nomination), comparing and contrasting the current Broadway production and the road version.