Inducted as a Fellow: 2002
Your earliest memories of the Institute?
My first memories of USITT was in Overland Park, Kansas (1980) listed as Kansas City, Kansas in the USITT Directory. Because of the ERA (Equal Rights Amendment) and lack of a vote of ratification from Missouri, the conference was moved to the Kansas side into an emerging suburb that was my childhood home and for that matter, it was also Bruce's. I still have a copy of the Exhibit Catalog of the juried design work and perhaps, that more than anything, led me to both participate and eventually contribute to Design Expo.
Favorite USITT memory?
Memories of the Institute revolve around renewal of friendships and for that matter, the developing of a national network of colleagues that still serve me today. Perhaps Wichita is the most memorable or forgettable experience, as there was originally a real effort to bypass Wichita for somewhere with more amenities (ERA issue still was a concern). I was on the Board that decided to take the risk and go with a much promised "Improved Wichita." That was far from the case and for a state known for beef, the dinner "steaks" served at the banquet must have been imported--from New Jersey!! However, seeing Sarah Nash Gates come into the banquet on horseback did a lot to lift everyone's spirits and Wichita will always be remembered.
Short list of career highlights:
Taught at Morehead State University in Kentucky and came to the University of Minnesota (1973) where I am currently a 38-year professor. Based on my interest, developed while painting for two summers at Starlight in Kansas City, I located three collections of sketches used by scenic studios to create illusionary backgrounds for vaudeville, circus, and the fraternal stage.Two NEH funded interpretative exhibits evolved from these collections. Obviously, my induction into the prestigious Fraternal Order of the French Mineral Orange has sustained me with great friendships and more than my share of laughs.
Short list of your involvement in the Institute:
I have served on the Board three times. For several years, I handled the juried section of Design Expo and also chaired the Golden Pen committee for a couple of years. Of my efforts, my contribution to the Endowment Committee has been the most rewarding--giving back to what nurtured my early research efforts.
If you were to make a short list of the memorable USITT characters that have made a difference to you, who would they be?
I would be remiss to not mention Forrest Newlin my teacher and mentor. He gave me a passion for design and education that still sustains me today. I also miss John Rothgeb from University of Texas- Austin, as he helped launch me on my research journey. Dick Durst and Larry Hill made up the two parts of the triumvirate that organized and lead the USITT Conference in Minneapolis/St. Paul in 1987. We are still great buds based on that event and the fact that we live in the frozen North for several years. Having my brother, Bruce, as a colleague and Fellow has been a great source of entertainment for us and for others in the Institute.
Anything you want to say about being a Fellow?
If I can be candid, I use to refer to the Fellows with their ribboned medallions, as what appeared to me as a bunch of wine stewards looking for a snotty Merlot. That changed when I was selected and it was made more poignant by a nomination speech by close colleague and friend, Jean Montgomery. That was coupled with a ceremonial kiss by Dick Durst and Larry Hill--that picture is still on my door.The following year, it was my privilege to give the induction speech for Bruce which allowed me to fill a screen with embarrassing images of us growing up.
Anything you'd like to add about what the USITT means to you personally?
USITT bring to many of us verification that what we do as artists and technicians has both important cachet and a nexus of sharing new ideas. I am always impressed with the amount of volunteerism that makes this group hum. We could have gone the way of other professional organizations and relied on professionals to chart our course but then we would risk going the way of many of these organizations to extinction. Balancing between what we must do and have to do is an imperative that drives me in USITT.
- The Twin City Scenic Collection: Popular Entertainment 1895-1929. Contributing essays by C. Lance Brockman, George Lipsitz, John R. Rothgeb, Forrest A. Newlin, and Lawrence Hill. University of Minnesota Press, 1987.
- Theatre of the Fraternity: Staging the Ritual Space of the Scottish Rite of Freemasonry, 1896-1929. Contributing essays by C. Lance Brockman, Kenneth L. Ames, William D. Moore, Mary Ann Clawson, Mark C. Carnes, and Lawrence J. Hill. University of Mississippi Press. 1996.
I am always happy to mentor students. I would also suggest that I could do something on research development for probationary faculty.
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