jobs USITT

Description:
Reporting to the Director of Theatre Facilities, this role provides technical support for Playhouse events and production. At times, support for other facilities on campus will be required.

Responsibilities include, but are not limited to:

• Assists with scenic construction, lighting and audio production and operation.
• Maintains and operates rope and sandbag rigging system.
• Assists with electronic and mechanical repair of theatre equipment
• Assists with maintenance of scene shop, playhouse systems and equipment, lighting inventory and audio resources.
• Assists with consult of internal and external clients to best provide support for their productions.
• Assists with the supervision of student aides and crews.
• Performs other assigned duties not specifically identified above, but which require the same degree of skill and which are normally included within the above job title.

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Hours: Monday through Friday from 9am to 5pm.

Head Scenic Artistto our full-time, year-round production team in Indianola, Iowa. This position will lead the company in all scenic art needs for builds and lead the scenic art team for the festival.Working year-round this position will finish, maintain, repair, scenery and work to better the shop spaces. The Head Scenic Artist will be critical for the finished product. This position is not expected to run the shows or expected to participate in repertory changes other than with touch-up / repair work.

The Johnny Carson School of Theatre and Film at the University of Nebraska–Lincoln invites applications for an Assistant Professor of Practice (Technical Director) to join the School during a transformative moment of growth. With four new faculty searches underway and the launch of our reimagined Entertainment Design & Production BFA, we are building an innovative ecosystem that spans live performance, film production, digital media, and emerging technologies.

As part of Nebraska’s land-grant mission, we are committed to access, student success, and the development of creative leaders who will shape the future of the entertainment industry. Our partnership with the Johnny Carson Center for Emerging Media Arts provides a unique interdisciplinary environment where traditional theatrical craft meets cutting-edge digital innovation.

We seek a collaborative technical leader with comprehensive expertise in scenic construction, rigging, engineering, and safety, as well as proficiency with entertainment technologies such as Vectorworks/AutoCAD, automation systems, CNC fabrication, and 3D printing. The successful candidate will:

• Oversee all technical and production operations, ensuring safe and innovative practices.

• Integrate new production technologies into traditional workflows.

• Teach and mentor students in hands-on construction, entertainment technology, and evolving digital tools.

• Contribute to curriculum development for our expanding Entertainment Design & Production programs.

• Collaborate across theatre, film, and emerging media to support interdisciplinary production and learning.

The Dallas Opera (TDO) is a world-class performing arts organization based in the Dallas Arts District in Dallas, TX, renowned for our outstanding mainstage and chamber opera productions. With a reputation for artistic excellence, innovation, and community impact, TDO plays a vital role in the cultural landscape of the Dallas-Fort Worth Metroplex and the international opera scene.

This position is Full Time, Annual, Exempt and reports to the Operations Production Administrator and works closely with the Technical Director, Assistant Technical Director, and IASTE Crew, Production department, and Artistic department.

The Assistant Producer is a collaborator in the Artistic Department, providing overall department support, primarily in the preparation and execution of Alley Theatre productions. This individual will work directly with Artistic Director Rob Melrose and Associate Artistic Directors Amber Gray, Michael Locher, and Bradley Michalakis to support  the artistic vision and product of the Tony Award winning Alley Theatre. The Assistant Producer reports to the Associate Artistic Director of Producing.

Unique among regional theatres, the Alley is committed to maintaining a Resident Acting Company and providing them with work year-round.  Delivering 11 full productions each year as well as the Alley All New Festival, Alley Theatre focuses on delivering excellent programming to  inspire and enchant lives through theater and prioritizes creating a  welcoming environment for all. This role has a wide range of responsibilities in producing, casting, directing, and dramaturgy support. Full details are available in the application link.

The Department of Theater and Dance at Carleton College invites applicants for a tenure track position in theatrical design to begin in the fall of 2027. The search committee seeks a dynamic professional artist who is committed to developing an inclusive pedagogy, rooted in a commitment to diversity and student transformation within a liberal arts context. This faculty member will develop and lead the theatrical design focus of the major and teach courses in multiple design/production areas with a primary focus in either scenic or costume design.Ideal candidates will have experience designing productions for both theater and dance. Carleton operates on a 10-week trimester calendar, with tenure track positions teaching the equivalent of five courses during the year. As part of the 5-course teaching load, the candidate will also design for the production season and provide mentorship for student designers. The appointment will begin on September 1, 2027. The following materials are required: letter of application; curriculum vitae; creative portfolio (link to online portfolio is sufficient); a statement about teaching students from diverse backgrounds in an undergraduate, residential liberal arts environment. Review of applications will begin on September 1st, 2026 and will continue until the position is filled. All application materials can be submitted here. Carleton College does not discriminate on the basis of race, color, creed, ethnicity, religion, sex, national origin, marital status, veteran status, actual or perceived sexual orientation, gender identity and expression, status with regard to public assistance, disability, or age in providing employment or access to its educational facilities and activities.

Upstate Scenic Inc. has an immediate opening for a full-time, year-round Scenic Artist to work in a commercial scene shop. Candidates will possess strong scenic painting skills, an eye for detail, the ability to interpret designer renderings and elevations, a dedicated work ethic, adaptability, and the ability to work collaboratively with the production team to bring scenic designs to life.

RESPONSIBILITIES

• Execute a wide range of scenic paint treatments including faux finishes, aging, distressing, wood grain, stone, metal, and other specialty finishes
• Help create samples for scenic designers and project teams
• Prepare surfaces for paint treatments; priming, carving, texturing, and other surface preparation techniques 
• Complete touch-ups and revisions throughout the fabrication and installation process
• Maintain paint shop organization, safety standards, and proper care of tools and equipment
• Assist with offsite paint touch-up work as required
• Perform other duties as assigned to support production needs    
  

Upstate Scenic Inc. has an immediate opening for a full-time, year-round Scenic Carpenter to work in a commercial scene shop. Candidates will possess strong finish carpentry and scenic framing skills, solid understanding of workflow, dedicated work ethic, adaptability, and the ability to interact professionally with fellow crew members while working collaboratively as part of a team.

RESPONSIBILITIES

• Perform a variety of woodworking duties, including rough carpentry and finish carpentry
• Fabricate stage scenery, platforms, stair units, and other scenic elements
• Read and execute CAD drawings accurately
• Maintain a safe and clean working environment daily
• Assist with offsite installations and scenic load-ins/load-outs as required
• Operate a variety of woodworking equipment and power tools, including chop saws, table saws, screw guns, drills, sanders, and related machinery
• Work across departments and perform other duties as assigned to support production needs
• Ensure all work is completed to company standards and in alignment with project specifications
  

This position reports to the Costume Director and is responsible for assisting with the leadership and administration of the costume department and associated staff. They will evaluate, budget, prepare, and oversee the completion of costume designs for all Baltimore Center Stage productions and programming.

Production Coordinator

Wexner Center for Arts | Tech Operations

The Part-Time Production Coordinator provides coordination and administrative support to the production team, assisting the Director of Production and Technical Services in planning and executing events across the Wexner Center. This role focuses on organizing information, supporting cross-department communication, and maintaining effective production workflows.

This position supports performances, exhibitions, and events presented by the Wexner Center and campus or external partners. The role works collaboratively with production staff and other departments to ensure accurate information sharing, timely correspondence, and smooth day-to-day operations. The position may also support Company Management needs for visiting artists, as assigned.

This is a part-time role, combining administrative work with on-site support during events and peak production periods. Evening and weekend availability may be required based on event schedules, with increased on-site engagement during busier seasons.

Key Responsibilities

• Assist the Director of Production and Technical Services with coordination and execution of live events, including organizing and sharing technical, logistical, scheduling, and staffing information among stakeholders
• Provide administrative support for the production team, including schedules, settlements, calendars, and event documentation
• Track project details and support monitoring of production timelines
• Support communication between programming, production, finance, and external partners
• Maintain shared systems and tools for scheduling and project tracking, identifying opportunities to improve processes
• Provide support for visiting artists and Company Management needs as assigned
• Participate in event preparation and provide on-site support during performances and programs as needed
• Attend production and departmental meetings and assist with general team needs
  

Lighting Specialist

Wexner Center for Arts | Tech Operations

Mission Statement  

The Wexner Center for the Arts is The Ohio State University’s multidisciplinary laboratory for contemporary art and culture. Through exhibitions, performances, screenings, campus events, educational programs, artist residencies, publications, and external programming, the Wex serves as a vital forum where artists test ideas and where diverse audiences engage the art and issues of our time. In its programs, the Wex balances a commitment to experimentation and professionalism. Our work affirms the university’s pursuit of civic participation, freedom of expression, and robust dialogue.

Position Overview

This role serves as a key member of the Production and Technical Services team and as the primary lighting and electrical distribution contact for the planning, implementation, and support of public events at the Wexner Center for the Arts, supporting both the technical execution and artistic realization of live events while maintaining the operational readiness of the Center’s lighting systems and associated infrastructure.

Serves as the primary lighting and electrical distribution contact for shows and events presented by the Wexner Center for the Arts and Mershon Stage, as well as by stakeholders utilizing the Center’s theatres, galleries, classrooms, and public spaces. This is an in-person role requiring on-site support for rehearsals, events, installations, and related preparation activities, including regular evening and weekend work based on performance and event schedules.

Prepares, installs, programs, supports, operates, and maintains lighting systems, electrical distribution equipment, and related technical infrastructure for performances, exhibitions, screenings, events, and special projects as assigned. Maintains specifications and operational readiness for in-house lighting and electrical distribution systems; consults on equipment purchases, upgrades, rentals, and expendables; and reads, interprets, and implements technical riders, lighting plots, electrical distribution requirements, and related production documentation.

Collaborates actively with artists, designers, production staff, visiting companies, and institutional partners to support the artistic process—contributing insight, adaptability, safety, and technical expertise to enhance presentations and deliver the highest-quality experience for audiences and guests. This work may include supporting or creating lighting looks for live music performances, club-style events, and other contemporary performance environments. Creates and modifies CAD drawings, Lightwright documentation, adaptation paperwork, and related production materials; assists visiting designers during technical rehearsals, performances, and event activities; and helps facilitate successful project outcomes.

Works across teams to design, implement, install, focus, maintain, and strike lighting systems in theatres, galleries, public spaces, and site-specific installations. Assists with lighting and electrical distribution requirements for other Wexner Center departments, including Exhibitions, Learning & Public Practice, Film/Video, Development, Visitor Experience, and other institutional initiatives.

Maintains accurate inventory records, equipment documentation, and associated paperwork for lighting systems, electrical distribution equipment, and technical assets. Responsible for servicing, maintaining, and ensuring readiness of equipment and infrastructure supporting productions and events. Maintains a clean, organized, and safe work environment across all technical, storage, and performance spaces.

Supports colleagues across production and technical disciplines, contributing to shared projects, event support, and departmental initiatives beyond primary lighting responsibilities. Supervises intermittent stagehand staff during load-ins, hang and focus calls, rehearsals, performances, and strikes. Demonstrates professionalism, a collaborative and solutions-oriented approach, and ownership of projects through completion to ensure successful outcomes.

Safety is a core responsibility of this position. The Lighting Supervisor is expected to model, implement, and promote safe theatre and entertainment-industry work practices while ensuring that safety remains a priority for both the role and the stagehands and event staff working under its supervision. Work routinely includes operating in elevated positions, including ladders, lifts, catwalks, and other access points; handling equipment in active production environments; and performing company tie-ins and temporary power distribution installations in accordance with applicable electrical, venue, and institutional safety standards.

Assists visiting designers during rehearsals and performances; attends production and institutional meetings; and performs other duties as assigned. Successful completion of a background check is required prior to start date.

Sound Engineer

The Sound Engineer serves as a key member of the Production team, supporting both the technical execution and artistic realization of live events while ensuring the operational readiness of the Center's audio and audiovisual systems. This position plays an essential role in delivering exceptional experiences for artists, audiences, and stakeholders across a variety of performance, exhibition, and event settings.

Key Responsibilities

• Serve as the lead Sound Engineer for performances, events, and programs presented by the Wexner Center for the Arts and external stakeholders across multiple venues and spaces.
• Prepare, operate, and provide technical support for audio, video, and related production equipment for rehearsals, performances, exhibitions, and special events.
• Design, install, configure, operate, troubleshoot, maintain, and strike professional sound and audiovisual systems for theaters, galleries, and other event spaces.
• Read, interpret, and implement technical riders, stage plots, production schedules, and other event-related documentation.
• Collaborate closely with artists, designers, visiting production teams, and Center staff to support artistic and production goals while ensuring high-quality audience experiences.
• Support the design and implementation of audiovisual systems for gallery installations, exhibitions, and non-traditional performance environments.
• Assist visiting designers and production personnel during rehearsals, performances, and event load-ins/load-outs.
• Create and manage professional multi-channel audio recordings as needed.
• Maintain accurate inventory records, equipment documentation, and related technical paperwork.
• Service, maintain, and ensure operational readiness of the Center's professional audio, video, and mobile production equipment inventory.
• Maintain clean, organized, and safe workspaces across all production, performance, and technical areas.
• Partner with colleagues across production and technical disciplines to support departmental initiatives, shared projects, and event operations beyond primary audio responsibilities.
• Attend production meetings, planning sessions, and institutional meetings as required.
• Demonstrate professionalism, accountability, adaptability, and a collaborative, solutions-oriented approach while managing projects through successful completion.
• Perform other duties as assigned.

Working Conditions

• This is an in-person position requiring on-site support for rehearsals, performances, installations, events, and related preparation activities.
• Regular evening and weekend work is required based on event and performance schedules.
• Work routinely involves operating at heights, including the use of ladders, lifts, and catwalks, as well as handling and transporting technical equipment in active production environments.
• Successful completion of a background check is required prior to the start date.

Supervises

• Intermittent event staff- Stagehands
  

Primary Responsibilities:

• Installation of theatrical lighting equipment. This could include pulling of control wire, termination of low voltage wiring and programming of systems.
• Obtain and maintain Electronic Theatre Controls Installation Technician Certification.
• Work directly with customers on sales, installation, training, and servicing of equipment and systems. This includes theatrical and architectural lighting needs.
• Proficient in AutoCAD experience, reading as well as drawing.
• Physical activities including but not limited to: lifting, pushing, pulling, carrying 50+ lbs.
• Work in existing or under construction venues requiring personal protective equipment: hard hat, safety glasses, hi-vis vest, gloves, and steel toed boots.
• Working at height in personnel lifts or scaffolding.
• Position will include travel out of town and overnight staying in a hotel or house rental with other employees.
• The ability to work some overtime will be required.

Additional Information:

• Full-time non-exempt position; pay range starting at $25.00-$30.00 per hour depending on experience, education, and training.
• Medical, dental, vision, life, employee assistance program and supplemental insurance coverages are available.
• Short Term, Long Term and Life Insurance policy.
• Eight paid holidays per year.
• PTO accrual beginning after the first year of employment.
• Eligible for the company matching 401K plan after one year of employment.
• Monthly cell phone reimbursement.
• Annual Work Anniversary Bonus.
• Employment is contingent on the passing of a pre-employment drug screening. Employees are subject to random drug screenings and for cause screenings thereafter.
• Valid driver’s license required. Applicants are subject to a pre-employment DMV record check.

Palm Beach Opera seeks a Costume Director to begin work in the summer/fall 2026. This position is responsible for the procurement, alteration, and construction of all costumes and related items required for the Palm Beach Opera season. The Costume Director will supervise wardrobe personnel at the shop for fittings and alterations, and supervise wardrobe crew at the theatre for rehearsals and performances. This position requires a full-time commitment from November through March, with part-time remote work in the off-season for future season planning.

Western Carolina University seeks a collaborative Technical Director to coordinate scene shop operations, supervise student crews, and support scenic construction for Theatre and film productions. This is a hands-on, 12-month staff position working with an experienced faculty production team in a student-centered environment. The ideal candidate enjoys mentoring students, solving production challenges, and developing efficient production workflows while maintaining a safe shop environment. For the complete position description, qualifications, salary, and application instructions, visit:https://jobs.wcu.edu/postings/34539

Palm Beach Opera seeks a Technical Director & Facilities Manager to begin seasonal work in September.This position works closely with the Director of Production & Facilities (DP), Stage Manager (SM), and members of IATSE 500 to ensure safe, timely, and accurate installation and set up of scenery, progress of onstage rehearsals, efficient scene and act changes, performances, and load out. This position also works to ensure smooth operations at the Bailey Opera Center and PBO Warehouse.

The Costume Shop Design Assistant works in collaboration with the Costume Director and Associate Costume Directors to assist and support the costume designers for the Alliance Theatre’s LORT B and D stages as well as Theatre for Young Audiences shows. The Design Assistant also works closely with the costume shop staff, wig master, wardrobe team, stage management, directors, choreographers, and performers to ensure a smooth process from preproduction through strike.

The Business Manager supports successful execution of live event  projects for the ProS team by managing project budgets, contracts,  vendor coordination, and administrative processes. This role partners  closely with Producers, Finance, and cross‑functional teams to ensure  accurate financial oversight, timely payments and receivables, compliant  documentation, and efficient operations on behalf of the ProS team.